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Audioslave - Show Me How To Live




  In with the early dawn
Moving right along
I couldn’t buy an eye of sleep
And in the aching night
Under satellite
I was not recieved
With the stolen parts
A telephone in my heart
Someone get me a priest
To put my mind to bed
This ringing in my head
Is this a cure is or is this a disease

Hey hey I said
Near as I can figure
You gave me life now
Show me how to live
Hey hey I said
Near as I can figure
You gave me life now
Show me how to live

In the afterbirth
On the quiet earth
Let this things remind me
You thought you made amend
You better think again
Before my row defines you

Hey hey I said
Near as I an figure
You gave me life now show me how to live
Hey hey I said
Near as I can figure
You gave me life now
Show me how to live

And in your waiting hands
I will land
And roll out of my skin
And in your final hours I will stand
Ready to begin
Ready to begin
Ready to begin
Ready to begin

Hey hey I said
Near as I can figure
You gave me life now
Show me how to live
Hey hey I said
Near as I can figure
You gave me life now
Show me how to live
Show me how to live
Show me how to live
Show me how to live
Show me how to live
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Sirenia - The Path To Decay





Life brings nothing for the same
Keep searching new days on the horizon
While time just seems to slip away
I’m leaving no trace along the way

Seems like I’m falling deeper, deeper inside myself
Feels like I’m growing weaker, much weaker each day
Along the path to decay

The lights are fading day by day
No cure for the lost, there’s no ascending
When life could not become more pale
A new dawn is here, another day

Seems like I’m falling deeper, deeper inside myself
Feels like I’m growing weaker, much weaker each day
Along the path to decay

Darkness within myself….

Seems like I’m falling deeper, deeper inside myself
Feels like I’m growing weaker, much weaker each day
Along the path to decay
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Bullet For My Valentine - Your Betrayal




Am I going insane (insane)
My blood is boiling inside of my veins
An evil feeling it ticks (it ticks)
My body shaking there’s no turning back

So take your eyes off the trigger (?)
I’m not to blame if your world turns to black
as your eyes start to blister
There's just no hope for our final embrace
So here we are, I’m in your head
I’m in your heart!!!

You were told to run away
soak the place and light the flame
Pay the price for your betrayal
Your betrayal, Your Betrayal!!

I was told to stay away
Those two words I can’t obey
Pay the price for your betrayal
Your betrayal, Your Betrayal!!

Is it my turn to die?
My heart is pounding as I say goodbye
So now I dance in the flames
I love you crying and screaming my name

You said that we’d be forever
How could you kill me and lie to my face
Now that we can’t be together
There’s just no hope for our final embrace
So here we are, I’m in your head
I’m in your heart!!!

You were told to run away
Soak the place and light the flame
Pay the price for your betrayal
Your betrayal, Your Betrayal!!

I was told to stay away
Those two words I can’t obey
Pay the price for your betrayal
Your betrayal, Your Betrayal!!

GO!!!

So here we are (so here we are, I’m in your head
(I’m in your head)
I’m in your heart!!!

You were told to run away
soak the place and light the flame
Pay the price for your betrayal
Your betrayal, Your Betrayal!!

I was told to stay away
Those two words I can’t obey
Pay the price for your betrayal
Your betrayal, Your Betrayal!!
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Nickelback - This Afternoon

                   


Oh, looking like another Bob Marley day
Hitting from the bong like a diesel train
And now we're hanging out this afternoon

We got weeds in the backyard, four feet tall
Cheech and Chong probably would have smoked them all
So, I'm on the couch this afternoon

Beer bottles laying on the kitchen floor
If we take them out back, we can buy some more
So I doubt we're going out this afternoon, oh

Better hang on if you're tagging along
'Cause we'll be doing this till six in the morning
Nothing wrong with going all night long
Time to put the brakes on, doesn't matter when you gotta

Get up and go out, me and all my friends
Drink up, fall down, we'll do it all again
Just sitting around, hanging out this afternoon

Landlord says I should buy a tent
But he can kiss my ass 'cause I paid the rent
So I doubt, he'll kick me out this afternoon

Down on the corner in a seedy bar
Jukebox cranking out the CCR
Had a few to Suzie Q this afternoon, oh

Better hang on if you're tagging along
'Cause we'll be doing this till six in the morning
Nothing wrong with going all night long
Time to put the brakes on, doesn't matter when you gotta

Get up and go out, me and all my friends
Drink up, fall down, we'll do it all again
Get up, go out, me and all my friends
Drink up, fall down, we'll do it all again, yeah
Just sitting around, hanging out this afternoon

Wear a wristwatch and alarm clock to see what time it ends
From the moment I wake up, I just love being with my friends
We barely get by, but have the best times and hope it never ends
We drink all day until we fall down, so we can do it all again

It's not a human walk, it's the human race
If we were living on the edge, taking too much space
So I'll doubt I'll figure out just what to do
But to kicking around, hanging out this afternoon, oh

Better hang on if you're tagging along
'Cause we'll be doing this till six in the morning
Nothing wrong with going all night long
Time to put the brakes on, doesn't matter when you gotta

Get up and go out, me and all my friends
Drink up and fall down, we'll do it all again, yeah
Get up and go out, me and all my friends
Drink up and fall down, we'll do it all again

Just sitting around, hanging out this afternoon
Just sitting around, hanging out this afternoon
Just sitting around, hanging out this afternoon
Just sitting around, hanging out this afternoon

Just sitting around, hanging out this afternoon
Just sitting around, hanging out this afternoon
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Black Eyed Peas - Rock That Body




I wanna rock right now
I want I wanna rock right now
I want I wanna rock right now
Now, now, rock right now
I want I wanna rock right now
I want I wanna rock right now
I want I wanna rock right nooowww

I wanna dance, I wanna dance in the light
I wanna rock, I wanna rock ya body
I wanna go, I wanna go for a ride
Up in the music & rock ya body right

Rock ya body, come on come on
Rock ya body, come on come on (Rock your body)
Rock ya body, come on come on
Rock ya body

Let me see ya body rock
Shakin it from the bottom to the top
Freak to what the Dj drop
We been the one to make it hot (to make it hot)
Electric shock, energy like a billion watts
Space be boom and the speakers pop
Collat and comb, we miss the spot
We bumpin in your parking lot
When you coming up in the spot
Don't bring nothing
Cuz we burnin around the clock
If the lights on then turn them off
If you bring that don't make it soft
Like the jungle we run the block
No one rollin the way we rock

I wanna rock right now
I want I wanna rock right now
I want I wanna rock right now
Now, now, rock right now
I want I wanna rock right now
I want I wanna rock right now
I want I wanna rock right nooowww

I wanna dance, I wanna dance in the light
I wanna rock, I wanna rock ya body
I wanna go, I wanna go for a ride
Up in the music & rock ya body right

Rock ya body, come on come on
Rock ya body, come on come on (Rock your body)
Rock ya body, come on come on
Rock ya body

Super fly ladies
All of my super fly ladies
All of my super fly ladies
All of my super, super fly ladies

Yea you can be big-boned
Long as you feel like your own
You could be the model type
Skinny with no appetite
Short stack black on white
Long as you do what you like
Body out of sight
Body, Body out of sight
She do the two step and the toe-drop
She do the cabage patch and the bus stop
She like electro, she like hip-hop
She like the reggae, she feel punk rock
She like to samba, and the mambo
She like to break dance and calypso
Get a little crazy, get a little stupid
Get a little crazy....

I wanna dance, I wanna dance in the light
I wanna rock, I wanna rock ya body
I wanna go, I wanna go for a ride
Up in the music & rock ya body right

Rock ya body right x2
Come on, yea

Rock ya body, come on come on
Rock ya body, come on come on (Rock your body)
Rock ya body, come on come on
Rock ya body

Go, ooo, ooo x3

.....repeat with beginning
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Adam Lambert - For Your Entertainment




So hot out of the box
Can we pick up the pace
Turn it up, heat it up
I need to be entertained
Push the limit, are you with it?
Baby don't be afraid
Imma hurt you real good baby

Let's go it's my show, baby, do what I say
Don't trip off the glitz that I'm gonna display
I told you, Imma hold ya down until you're amazed
Give it to ya til you're screamin' my name

No escaping when I start
Once I'm in I own your heart
There's no way to ring the alarm
So hold on until it's over

Oh!
Do you know what you got into
Can you handle what I'm 'bout to do
'Cause it's about to get rough for you
I'm here for your entertainment

Oh!
I bet you thought that I was soft and sweet
You thought an angel swept you off your feet
But I'm about to turn up the heat
I'm here for your entertainment

'Sall right
You'll be fine
Baby I'm in control
Take the pain
Take the pleasure
I'm the master of both
Close your eyes, not your mind
Let me into your soul

I'm gonna work it 'til your totally blown

No escaping when I start
Once I'm in I own your heart
There's no way to ring the alarm
So hold on 'til it's over

Oh!
Do you know what you got into
Can you handle what I am about to do
'Cause it's about to get rough for you
I'm here for your entertainment

Oh I bet you thought that I was soft and sweet
You thought an angel swept you off your feet
But I'm about to turn up the heat
I'm here for your entertainment

Oh
Do you like what you see?
Oh
Let me entertain ya 'til you scream

Oh!
Do you know what you got into
Can you handle what I am about to do
'Cause it's about to get rough for you
I'm here for your entertainment

Oh!
I bet you thought that I was soft and sweet
You thought an angel swept you off your feet
But I'm about to turn up the heat
I'm here for your entertainment
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Serj Tankian - Saving Us





Why do we sit around and break each other's hearts tonight
Why do we dance around the issues 'till the morning light
When we sit and talk and tear each other's lives apart
You were the one to tell me go

But you were the one for me
And now you're going through the door
When you take that step I love you baby more and more
We need to laugh and sing and cry and warm each other's hearts tonight
Having fun of everything and loving all our mother's

Tearing us,
You're tearing us
You're breaking us
You're breaking us
You're carrying us
Carrying us
You're saving us
You're saving us

You're tearing us
You're tearing us
You're breaking us
Breaking us
You're killing us
Killing us
You're saving us

Why do we sit around and break each other's hearts tonight
Why do we dance around the issues 'till the morning light
When we sit and talk and tear each other's lives apart
You were the one to tell me go

But you were the one for me
And now you're going through the door
When you take that step I love you baby more and more
We need to laugh and sing and cry and warm each other's hearts tonight
Having fun of everything and loving all our mother's

You're tearing us
You're tearing us
You're breaking us
You're breaking us
You're killing us
Killing us
You're saving us
You're saving us

You're tearing us
You're tearing us
You're breaking us
You're breaking us
You're killing us
Killing us
You're saving us

Ohhhhh

Ohhhhh

Forever I lie
Forever I lie
Forever
Forever

Forever I lie
Forever I lie
Forever
And never and never again

You're tearing us
You're tearing us
You're breaking us
You're breaking us
You're killing us
Killing us
You're saving us
You're saving us

You're tearing us
You're tearing us
You're breaking us
You're breaking us
You're killing us
Killing us
You're saving us
You're saving us

You're tearing us
You're tearing us
You're breaking us
You're breaking us
You're killing us
Killing us
You're saving us
You're saving us

You're tearing us
You're tearing us
You're breaking us
You're breaking us
You're killing us
Killing us
You're saving us
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Serj Tankian - Left Of Center





Are we a fantasy? swimming in theocracy
We are far from holy the wholeness of one
Repeat after me

We lost the key of sight
Now blind we fear in flight
We are far from love but silence is golden
Please observe

Fighting your empire defending your vampires
Far away, we're going too far
Bombing your ignorance we're feeding your insolence
Far away, we're going too far
We're going too far

If today I die I cannot deny
The life that I live
For what I say not befit myself in time
No time to die our dare
No structures of a pyramid
No train, horses to rise
Surmise my position my words define

Fighting your empire defending your vampires
Far away, we're going too far
Bombing your ignorance we're feeding your insolence
Far away, we're going too far
We're going too far

We go forward we go backward
Living, dying, we're dying, we're living
We're living, we're dying, we're crying, we're seeing
We're living, we're breathing, dying, seeing

Fighting your empires defending your vampires
Far away, we're going too far
Bombing your ignorance we're feeding your insolence
Far away, we're going too far
We're going too far
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Bond - Fuego

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Bond - Explosive

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About - Bullet for my valentine


Bullet for My Valentine are a Welsh heavy metal band from Bridgend, formed in 1998. The band is composed of Matt Tuck (lead vocals, rhythm guitar), Michael Paget (lead guitar), Jason James (bass guitar, backing vocals), and Michael Thomas (drums). They were formed under the name Jeff Killed John and started their music career by covering songs by Metallica and Nirvana. Jeff Killed John recorded six songs which were not released; two of these tracks were reworked later in their career as Bullet for My Valentine. Financial difficulties dictated the name change, which was followed by a change in music direction. In 2002, the band secured a five-album deal with Sony BMG. The band has stated that their music is influenced by classic heavy metal acts such as Metallica, Iron Maiden, and Slayer. The band is part of the Cardiff music scene.
Bullet for My Valentine's debut album, The Poison, was released on October 3, 2005 in the United Kingdom and on February 14, 2006 in the United States to coincide with Valentine's Day hence their band name. The album entered the Billboard 200 in the US at number 128. It was certified Gold by the Recording Industry Association of America. The band made appearances at the Download Festival and Kerrang! XXV, and undertook a US tour with Rob Zombie. Bullet for My Valentine's second studio album, Scream Aim Fire, was released on January 29, 2008 and debuted at number four on the Billboard 200. The band's third album, Fever, was released on April 26, 2010 and debuted at number three on the Billboard 200. The band has sold over two million albums worldwide and are the most-successful act of all-time in the Kerrang! Awards category of "Best British Band" with three wins.

Musical style and influences

Bullet for My Valentine's music has been described by critics as metalcore, heavy metal, and thrash metal. The band has cited being influenced by bands such as Metallica, Annihilator, Pantera, Machine Head, Iron Maiden, Testament, Stuck Mojo, Slayer, Judas Priest, and Megadeth. These bands inspire Bullet for My Valentine's "catchy vocals, aggressive riffs and melodies" according to Thomas. The band describe their two albums, The Poison and Fever as having a "super dark" tone, Tuck went on to state that "…we’re a hard rock band with metal influences, and I’ve said that from Day One.” Kirk Miller of Decibel Magazine praised the band for the effort in synchronised song structures. When asked of their views on their looks, members of the band have stated that they would not change their sound or image for a commercial approach; Tuck commented that, "Without sounding harsh, we're more interested in what our music sounds like than what our fucking hair looks like."

Awards and achievements

  • Welsh Music Award
    • Best Newcomer (2004)
  • Metal Hammer Golden God Award
    • Best British Band (2006, 2010)
  • Kerrang! Awards
    • Best UK Single for "Tears Don't Fall" (2006)
    • Best British Newcomer (2005)
    • Best British Band (2008, 2009, 2010)
    • Headlined Kerrang!'s 25 year anniversary tour of the UK
    • Best Live Band (2010)

Band members

Current members
  • Matthew Tuck – lead vocals, rhythm guitar (1998–present)
  • Michael Paget – lead guitar, backing vocals (1998–present)
  • Michael Thomas – drums, percussion (1998–present)
  • Jason James – bass guitar, vocals (2003–present)
Former members
  • Nick Crandle – bass (1998–2003)
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About - Audioslave



Audioslave was an American hard rock supergroup who formed in Los Angeles, California in 2001. It consisted of then-former Soundgarden frontman, rhythm guitarist, and lead singer Chris Cornell and the then-former instrumentalists of Rage Against the Machine: Tom Morello (guitar), Tim Commerford (bass and backing vocals) and Brad Wilk (drums). Critics initially described Audioslave as an amalgamation of Rage Against the Machine and Soundgarden, but by the band's second album, Out of Exile, it was noted that they had established a separate identity.
The band's trademark sound was created by blending 1970s hard rock with 1990s alternative rock. Moreover, Morello incorporated his well-known, unconventional guitar solos into this mix. As with Rage Against the Machine, the band prided themselves on the fact that all sounds on their albums were produced using only guitar, bass, drums and vocals.
After Audioslave released three successful albums, received three Grammy nominations, and became the first American rock band to perform an open-air concert in Cuba, Cornell issued a statement in February 2007 announcing that he was permanently leaving the band "due to irresolvable personality conflicts as well as musical differences". As the other three members were busy with the Rage Against the Machine reunion, and Morello and Cornell had each released solo albums in 2007, Audioslave was officially disbanded.

Musical style and influences

By combining '70s style hard rock riffing with alternative rock, Audioslave created a distinctive sound. This mix was driven by Cornell's wide vocal range, Morello's innovative guitar solos and the rhythm section of Wilk and Commerford. Morello, although stating he "never felt musically limited" in Rage Against the Machine, did say that he had "a lot more scope to explore with Audioslave" and a "wider musical territory". This meant that the instrumentalists had the opportunity to write slow and melodic songs, something they had not done before.
As opposed to de la Rocha's lyrics, Cornell's were mostly apolitical; Morello referred to them as "haunted, existential poetry". They were characterised by his cryptic approach, often dealing with themes of existentialism, love, hedonism, spirituality and Christianity. Audioslave's first two albums drew influences from 1970s hard rock such as Led Zeppelin and Black Sabbath and from the members' previous bands (the alternative metal of Soundgarden and the funk metal of Rage Against the Machine). For Revelations, which was influenced by 1960s and '70s funk, soul and R&B music, Morello used vintage guitars and amplifiers and Cornell adopted his "seventies funk and R&B-flavor vocals". The guitarist also cited Sly & the Family Stone, James Brown and Funkadelic as a reason for the funk overtones on the album
Just as Rage Against the Machine did, Audioslave also included the statement "All sounds made by guitar, bass, drums and vocals" in their albums' booklets as Morello's guitar work often caused listeners to believe that the band used samples, synthesiser effects or different turntable techniques to produce certain sounds.

Songwriting and recording process

All of Audioslave's lyrics were written by Cornell, while all four members—as a band—were credited with writing the music. Their songwriting process was described by Wilk as "more collaborative" and "satisfying" than Rage Against the Machine's, which was "a battle creatively". Cornell also felt the same way; he saw Soundgarden's songwriting method inferior to Audioslave's. Rick Rubin, producer of the band's first two albums, was also lauded as "a great collaborative partner" and was likened to "the fifth Beatle" by Tom Morello.
The time spent on songwriting by the band was always short. They wrote 21 songs in 19 days for the first album and exceeded that rate for the second album by having a song or sometimes two written every day.
This method was adopted for the third album as well.
Cornell's battle with drug addiction and alcoholism was a defining factor in the writing and recording process of the debut album. The singer admitted that he was "never able to write effectively" while drinking, and attended rehab after recording Audioslave. Although Morello stated that Revelations was "the first record [Cornell] didn't smoke, drink or take drugs through the recording", he later clarified his statement by saying: "Chris was stone sober during the making of our Out of Exile album. Chris was also sober during the making of Revelations and prior to recording he gave up smoking as well."
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About - Disturbed


Disturbed is an American nu metal band from Chicago, Illinois, formed in 1996 when musicians Dan Donegan, Steve "Fuzz" Kmak, and Mike Wengren hired David Draiman as their singer. Since the band's formation, they have sold over 11 million albums worldwide, making them one of the largest grossing rock bands in recent years. The band has released five studio albums, four of which have consecutively debuted at number-one on the Billboard 200

Mascot

Disturbed's mascot, named "The Guy", was originally just a drawing of a face with a large grin, as seen on the back of the album The Sickness. The Guy eventually became the official mascot for the band, fully animated by Spawn creator Todd McFarlane in the album artwork and music video for Disturbed's "Land of Confusion" cover, and has also appeared on the artwork of three of Disturbed's studio albums: Ten Thousand Fists, Indestructible and Asylum.

Style and lyrical themes

Classified by most as a rock,[58][59][60] or nu metal band, Disturbed is also regarded by some critics as alternative rock alternative metal, heavy metal. However, when asked about die-hard heavy metal fans not finding Disturbed heavy enough, frontman David Draiman stated:
"We probably have too much melody going on or we're not quite as turbulent or caustic. While I really love that type of music, it's not what we try to do. If we have to place things in context, we're more hard rock than heavy metal these days."
"The secret is that we were never really part of any particular trend, although we definitely benefited from the popularity of what was called nu-metal at the time," Draiman says. "We never had the stereotypical attributes that those bands had. We don’t rap; there’s no turntable involved; no fusion in that respect. We play, in my opinion, classic metal. Sabbath, Maiden, Priest, Metallica, Pantera: these are the bands that made us want to play.
Allmusic reviewer Bradley Torreano described the album Believe as "taking the sort of jump that their heroes in Soundgarden and Pantera made after their respective breakthrough records". He also described the title track as moving "from a brutal chug to a sweeping chorus that suddenly stops in its tracks and turns into a winding riff that recalls the work of vintage James Hetfield". Believe is also considered by several critics to be a step away from the nu metal sound featured on The Sickness, moving towards a more hard rock/heavy metal sound that was continued in their following albums.
According to frontman David Draiman on the band's home documentary M.O.L., the lyrics that he writes are inspired by life experience, perception, and actual experiences of his own, and he stated that he likes to present his ideas with cryptic lyrics. These lyrical themes range from the ideology of Heaven and Hell, domestic abuse, suicide, insanity, relationships, war, and Horror lyrical themes, such as vampires and demons
Guitarist Dan Donegan typically uses tunings such as drop D and drop C, which are lower tunings than regular E standard. These lower tunings allow for a darker, more mysterious feel in Donegan's riffs. Donegan also uses subtle electronic effects to add to the fullness of the music, which the rest of the band refers to as "The Dan Donegan Orchestra."

Band members

Current
Former
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